Profiles of crimes that occurred prior to 1992 and the criminals.
Profiles of crimes that occurred prior to 1992 and the criminals.
The music hall ...had no place for reticence; it was downright, it shouted, it made noise, it enjoyed itself and made the people enjoy themselves as well.' W.J. MACQUEEN POPE??Music Hall lies at the root of all modern popular entertainment. With stars such as Marie Lloyd, Harry Lauder and Dan Leno, it reached its glorious, brassy height between 1890 and the First World War. In the first book on this subject for many years, Richard Anthony Baker whisks us off on a colourful and nostalgic tour of the rise and fall of British music hall.??At the beginning of the nineteenth century people sang traditional songs in taverns for entertainment. This was so popular that rooms started to be added to inns for shows to be staged, and, before long, songs were being specially composed and purpose-built theatres were springing up everywhere. ??Britain's working class had, for the first time, its own form of public entertainment and its own breed of stars. The colour and vitality attracted serious writers and artists, as well as the future Edward VII, and music hall became simultaneously the haunt of the working classes and the avant-garde.??Including stories of a clergyman who wrote music-hall sketches, a hall in Glasgow where luckless entertainers were pulled off stage by a long hooked pole, and Cockney dictionaries that helped Americans understand touring British performers, this book is a hugely engaging slice of social history, rich in humour, tragedy and bathos.??As featured on BBC Radio Lincolnshire and in the Sunderland Echo.
A panoramic narrative history that will give readers a new understanding of the Rolling Stones, viewed through the impassioned and opinionated lens of the Vanity Fair contributor—and co-creator of HBO’s Vinyl—who was along for the ride as a young reporter on the road with the band in the 1990s Rich Cohen enters the Stones epic as a young journalist on the road with the band and quickly falls under their sway—privy to the jokes, the camaraderie, the bitchiness, the hard living. Inspired by a lifelong appreciation of the music that borders on obsession, Cohen’s chronicle of the band is informed by the rigorous views of a kid who grew up on the music and for whom the Stones will always be the greatest rock ’n’ roll band of all time. The story begins at the beginning: the fateful meeting of Mick Jagger and Keith Richards on a train platform in 1961—and goes on to span decades, with a focus on the golden run—from the albums Beggars Banquet (1968) to Exile on Main Street (1972)—when the Stones were prolific and innovative and at the height of their powers. Cohen is equally as good on the low points as the highs, and he puts his finger on the moments that not only defined the Stones as gifted musicians schooled in the blues and arguably the most innovative songwriters of their generation, but as the avatars of so much in our modern culture. In the end, though, after the drugs and the girlfriends and the rows, there is the music. The Sun & The Moon & The Rolling Stones makes you want to listen to every song in your library anew and search out the obscure gems that you’ve yet to hear. The music, together with Cohen’s fresh and galvanizing consideration of the band, will define, once and forever, why the Stones will always matter. Praise for The Sun & The Moon & The Rolling Stones “Fabulous . . . The research is meticulous. . . . Cohen’s own interviews even yield some new Stones lore.”—The Wall Street Journal “[Cohen] can catch the way a record can seem to remake the world [and] how songs make a world you can’t escape.”—Pitchfork “No one can tell this story, wringing new life even from the leathery faces of mummies like the Rolling Stones, like Rich Cohen. . . . The book beautifully details the very meaning of rock ’n’ roll.”—New York Observer “Masterful . . . Hundreds of books have been written about this particular band and [Cohen’s] will rank among the very best of the bunch.”—Chicago Tribune “Cohen, who has shown time and time again he can take any history lesson and make it personal and interesting . . . somehow tells the [Stones’] story in a whole different way. This might be the best music book of 2016.”—Men’s Journal “[Cohen’s] account of the band’s rise from ‘footloose’ kids to ‘old, clean, prosperous’ stars is, like the Stones, irresistible.”—People “You will, as with the best music bios, want to follow along on vinyl.”—The Washington Post “A fresh take on dusty topics like Altamont and the Stones’ relationship with the Beatles . . . Cohen takes pilgrimages to places like Nellcôte, the French mansion where the Stones made Exile on Main Street, and recounts fascinating moments from his time on tour.”—Rolling Stone “On the short list of worthwhile books about the Stones . . . The book is stuffed with insights.”—San Francisco Chronicle
The Temptations were the most commercially successful and critically lauded male vocal group of the Sixties and early Seventies. Through the years, the group's trademark razor-sharp choreography, finely tuned harmonies, and compelling vocals made them the exemplars of the Motown style. This is the frank, revealing story of the legendary supergroup, told by its founder.
Macropaedia Volume 18 - Taylor-Utah Knowledge In Depth.
Legendary influential performer Grace Jones offers a revealing account of her spectacular career and turbulent life, charting the development of a persona that has made her one of the world’s most recognizable artists. As a singer, model, and actress—a deluxe triple threat—Grace has consistently been an extreme, challenging presence in the entertainment world since her emergence as an international model in the 1970s. Celebrated for her audacious talent and trailblazing style, Grace became one of the most unforgettable, free-spirited characters to emerge from the historic Studio 54, recording glittering disco classics such as “I Need a Man” and “La Vie en Rose.” Her provocative shows in underground New York nightclubs saw her hailed as a disco queen, gay icon, and gender defying iconoclast. In 1980, the always ambitious Grace escaped a crowded disco scene to pursue more experimental interests. Her music also broke free, blending house, reggae, and electronica into a timeless hybrid that led to classic hits such as “Pull Up to the Bumper” and “Slave to the Rhythm.” In the memoir she once promised never to write, Grace offers an intimate insight into her evolving style, personal philosophies, and varied career—including her roles in the 1984 fantasy-action film Conan the Destroyer alongside Arnold Schwarzenegger and the James Bond movie A View to a Kill. Featuring sixteen pages of stunning full-color photographs, many from her own personal archive, I’ll Never Write My Memoirs follows this ageless creative nomad as she rejects her strict religious upbringing in Jamaica; conquers New York, Paris, and the 1980s; answers to no-one; and lives to fight again and again.
The New York Times Bestseller “High-spirited, hugely enjoyable and generous from start to finish.” –New York Times Book Review “Robust, wry, gritty and wise.” —The Wall Street Journal "Confident and well oiled. At times it has the mythic sweep of an early Terrence Malick movie."—New York Times On the 40th anniversary of The Band’s legendary The Last Waltz concert, Robbie Robertson finally tells his own spellbinding story of the band that changed music history, his extraordinary personal journey, and his creative friendships with some of the greatest artists of the last half-century. Robbie Robertson's singular contributions to popular music have made him one of the most beloved songwriters and guitarists of his time. With songs like "The Weight," "The Night They Drove Old Dixie Down," and "Up on Cripple Creek," he and his partners in The Band fashioned a music that has endured for decades, influencing countless musicians. In this captivating memoir, written over five years of reflection, Robbie Robertson employs his unique storyteller’s voice to weave together the journey that led him to some of the most pivotal events in music history. He recounts the adventures of his half-Jewish, half-Mohawk upbringing on the Six Nations Indian Reserve and on the gritty streets of Toronto; his odyssey at sixteen to the Mississippi Delta, the fountainhead of American music; the wild early years on the road with rockabilly legend Ronnie Hawkins and The Hawks; his unexpected ties to the Cosa Nostra underworld; the gripping trial-by-fire “going electric” with Bob Dylan on his 1966 world tour, and their ensuing celebrated collaborations; the formation of the Band and the forging of their unique sound, culminating with history's most famous farewell concert, brought to life for all time in Martin Scorsese's great movie The Last Waltz. This is the story of a time and place--the moment when rock 'n' roll became life, when legends like Buddy Holly and Bo Diddley criss-crossed the circuit of clubs and roadhouses from Texas to Toronto, when The Beatles, Hendrix, The Stones, and Warhol moved through the same streets and hotel rooms. It's the story of exciting change as the world tumbled through the '60s and early 70’s, and a generation came of age, built on music, love and freedom. Above all, it's the moving story of the profound friendship between five young men who together created a new kind of popular music. Testimony is Robbie Robertson’s story, lyrical and true, as only he could tell it.
Issues for 1965- include "Recent publications on theatre architecture," no. 13/14-
The story of the rise, fall, and redemption of Broadway—its stars, its biggest shows, its producers, and all the drama, intrigue, and power plays that happened behind the scenes—“unfolds faster than a curtain going up on opening night….A must read” (Kevin Spacey). “A rich, lovely, debut history of New York theater in the 1970s and eighties” (Kirkus Reviews, starred review), Razzle Dazzle is a narrative account of the people and the money and the power that turned New York’s gritty back alleys and sex-shops into the glitzy, dazzling Great White Way. In the mid-1970s Times Square was the seedy symbol of New York’s economic decline. Its once shining star, the renowned Shubert Organization, was losing theaters to make way for parking lots and losing money. Bernard Jacobs and Jerry Schoenfeld, two ambitious board members, saw the crumbling company was ripe for takeover and staged a coup and staved off corporate intrigue, personal betrayals and criminal investigations. Once Jacobs and Schoenfeld solidified their power, they turned a collapsed theater-owning holding company into one of the most successful entertainment empires in the world, spearheading the revitalization of Broadway and the renewal of Times Square. “For those interested in the business behind the greasepaint, at a riveting time in Broadway’s and New York’s history, this is the ticket” (USA TODAY). Michael Riedel tells the stories of the Shubert Organization and the shows that re-built a city in grand style—including Cats, A Chorus Line, and Mamma Mia!—revealing the backstage drama that often rivaled what transpired onstage, exposing bitter rivalries, unlikely alliances, and inside gossip. “The trouble with Razzle Dazzle is…you can’t put the damn thing down” (Huffington Post).